1)How did Cezanne use space and perspective in his paintings differently from artists before him? 2)Who was at the center of the “new spirit” of the “modern self” that “does not merely seek the truth, even subjective truth–it attempts to create it”? Why was this figure so important to the art world at the time? 3)Describe what happened at the premiere of Igor Stravinsky’s ballet Le Sacre de Printemps?
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