. It needs to be based off of the Musée des Ondes of Montreal as well as two readings: The History of Sound Reproduction by Bryecson and A History of Sound by Eveleth Rose. I will upload both reading and the first page of the assignment.
Last week’s trip to the Musée des Ondes brought us back to the very beginnings of sound recording and producing. The museum is dedicated to Emile Berliner, inventor of the gramophone and the tour touched on the development of different audio artifacts throughout history. But as Rose Eveleth put it in her article for The Atlantic, “What Did the Big Bang Sound Like?”, sound has a history well before human beings began to record it. Before there was the gramophone and the phonograph, before there were human beings or even animals to make and hear noise, there was the first sound ever, the Big Bang. Although disappointingly enough, it’s revealed that even if human beings were around, we couldn’t have heard the big bang. Rose Eveleth goes on to write about other ‘firsts’ in the history of sound, from the first sound actually heard to the first sound ever recorded. This brings to the realization that the beginnings of sound recording, about two centuries ago, aren’t that far in time from today. Especially in contrast to the amount of time it took to begin to record sound since the first ever sound, the Big Bang, happened. Granted the technologies invented in the 19th century have seen a great deal of improvements. As described in Richard Bryceson’s “The History of Sound Reproduction” as well as during the museum visit, after Emile Berliner sold the patent rights to the Gramophone company, the progress made in sound recording was fast.
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