{"id":435999,"date":"2018-06-28T12:32:47","date_gmt":"2018-06-28T12:32:47","guid":{"rendered":"https:\/\/essaypaper.org\/?p=29916"},"modified":"2018-10-24T08:57:25","modified_gmt":"2018-10-24T08:57:25","slug":"art-analysis-on-1-work-of-visual-art-music","status":"publish","type":"post","link":"https:\/\/www.benedictsol.com\/blogs\/art-analysis-on-1-work-of-visual-art-music\/","title":{"rendered":"Art-Analysis on 1 work of Visual Art\/Music"},"content":{"rendered":"<div class=\"col-lg-10 col-md-9 col-sm-16\">\n<h2 class=\"form-control-static orderTopic\" title=\"Analysis on 1 work of Visual Art\/Music\">Analysis on 1 work of Visual Art\/Music<\/h2>\n<div class=\"container\">\n<section class=\"contentWide\">\n<div class=\"content baseWidthCenter\">\n<section class=\"orderContent\">\n<div class=\"panel panel-default orderForm\">\n<div class=\"panel-body\">\n<form class=\"form-horizontal\">\n<div class=\"row\">\n<div class=\"col-lg-10 col-md-9 col-sm-16\">\n<p>In this task, you will write an analysis (suggested length of 3\u20135 pages) of one work from the disciplines of visual art or music. Choose one work from the list below:<\/p>\n<\/div>\n<\/div>\n<\/form>\n<\/div>\n<\/div>\n<\/section>\n<div class=\"clearfix\"><\/div>\n<\/div>\n<\/section>\n<\/div>\n<footer class=\"footerWide\">\n<div class=\"footer baseWidthCenter\">Classical Period<br \/>\nArt:<br \/>\n\u2022\udb40\uddb5\u00a0\u00a0\u00a0 Exekias, Achilles and Ajax Playing a Dice Game (Athenian black-figure amphora), ca. 540\u2212530 BCE<br \/>\n\u2022\u00a0\u00a0\u00a0 Praxiteles, The Aphrodite of Cnidus (Knidos) c. 350 BCE<br \/>\n\u2022\u00a0\u00a0\u00a0 Alexandros of Antioch, Venus de Milo, between 130\u2212100 BCE<br \/>\n\u2022\u00a0\u00a0\u00a0 Apollodorus of Damascus, Trajan\u2019s Column, c. 107 CE<br \/>\n\u2022\u00a0\u00a0\u00a0 After Leochares, Apollo Belvedere, c. 120 CE<br \/>\n\u2022\u00a0\u00a0\u00a0 Agesander, Athenodorus, and Polydorus of Rhodes, The Laoco\u00f6n Group, Late 2nd Century<\/p>\n<p>Renaissance<br \/>\nArt:<br \/>\n\u2022\u00a0\u00a0\u00a0 Leonardo da Vinci, Annunciation, c. 1472<br \/>\n\u2022\u00a0\u00a0\u00a0 Titian, Bacchus and Ariadne, c,1520<br \/>\n\u2022\u00a0\u00a0\u00a0 Hans Holbein the Younger, The Ambassadors, 1533<br \/>\n\u2022\u00a0\u00a0\u00a0 Marcus Gheeraerts the Younger, Queen Elizabeth I (Ditchley Portrait), c. 1592<\/p>\n<p>Music:<br \/>\n\u2022\u00a0\u00a0\u00a0 Josquin des Prez, Mille Regretz (French Chanson), c. 1521<br \/>\n\u2022\u00a0\u00a0\u00a0 Giovanni Pierluigi da Palestrina, Sicut Cervus (motet), c. 1581<br \/>\n\u2022\u00a0\u00a0\u00a0 Thomas Morley, Now is the Month of Maying, 1595<br \/>\n\u2022\u00a0\u00a0\u00a0 John Farmer, Fair Phyllis (English Madrigal) 1599<\/p>\n<p>NeoClassical (Art) \/ Classical (Music)<br \/>\nArt:<br \/>\n\u2022\u00a0\u00a0\u00a0 Antonio Canova, Psyche Revived by Cupid\u2019s Kiss, c. 1777<br \/>\n\u2022\u00a0\u00a0\u00a0 Jacques Louis David, The Death of Socrates, 1787<br \/>\n\u2022\u00a0\u00a0\u00a0 Sir John Soane, Bank of England, 1788\u20131833<br \/>\n\u2022\u00a0\u00a0\u00a0 Ingres, La Grande Odalisque, 1814<\/p>\n<p>Music:<br \/>\n\u2022\u00a0\u00a0\u00a0 W.A. Mozart, Piano Concerto No. 20 in D Minor, K. 466 \u2013 \u201cRomanze\u201d (second movement), 1785<br \/>\n\u2022\u00a0\u00a0\u00a0 W.A. Mozart, Overture to The Marriage of Figaro K. 492, 1786<br \/>\n\u2022\u00a0\u00a0\u00a0 Franz Joseph Haydn, Symphony No. 94 in G Major (Surprise), 1792<br \/>\n\u2022\u00a0\u00a0\u00a0 Ludwig van Beethoven, Symphony No. 5 in C Minor, Op. 67,\u201dAllegro con brio\u201d (first movement), 1804\u20131808<\/p>\n<p>Romanticism<br \/>\nArt:<br \/>\n\u2022\u00a0\u00a0\u00a0 Henry Fuseli, The Nightmare, 1781<br \/>\n\u2022\u00a0\u00a0\u00a0 John Constable, The Hay Wain, 1821<br \/>\n\u2022\u00a0\u00a0\u00a0 Eugene Delacroix, The Death of Sardanapalus, 1827<br \/>\n\u2022\u00a0\u00a0\u00a0 J.M.W. Turner, Slave Ship, 1840<\/p>\n<p>Music:<br \/>\n\u2022\u00a0\u00a0\u00a0 Franz Schubert, Erlking D.328 (Lied), 1815<br \/>\n\u2022\u00a0\u00a0\u00a0 Hector Berlioz, Dream of the Witches\u2019 Sabbath from Symphonie fantastique, 1830<br \/>\n\u2022\u00a0\u00a0\u00a0 Clara Schumann, 4 pieces fugitives, Op.15, 1853<br \/>\n\u2022\u00a0\u00a0\u00a0 Bedrich Smetana, The Moldau from M\u00e1 Vlast, 1874<\/p>\n<p>Realism<br \/>\nArt:<br \/>\n\u2022\u00a0\u00a0\u00a0 Gustave Courbet, The Stone Breakers, 1849<br \/>\n\u2022\u00a0\u00a0\u00a0 Rosa Bonheur, The Horse Fair, 1852-1855<br \/>\n\u2022\u00a0\u00a0\u00a0 James Whistler, Arrangement in Grey and Black, No.1: Portrait of the Artist&#8217;s Mother, 1871<br \/>\n\u2022\u00a0\u00a0\u00a0 \u00c9douard Manet, A Bar at the Folies-Berg\u00e8re, 1882<\/p>\n<p>Music:<br \/>\n\u2022\u00a0\u00a0\u00a0 Stephen Foster, Old Folks at Home,1851<br \/>\n\u2022\u00a0\u00a0\u00a0 John Philip Sousa, The Stars and Stripes Forever, 1896-97<br \/>\n\u2022\u00a0\u00a0\u00a0 Giacomo Puccini, Madama Butterfly, 1904<br \/>\n\u2022\u00a0\u00a0\u00a0 Julia Ward Howe, The Battle Hymn of the Republic, 1862<\/p><\/div>\n<\/footer>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Analysis on 1 work of Visual Art\/Music In this task, you will write an analysis (suggested length of 3\u20135 pages) of one work from the disciplines of visual art or music. Choose one work from the list below: Classical Period <a href=\"https:\/\/www.benedictsol.com\/blogs\/art-analysis-on-1-work-of-visual-art-music\/\" class=\"read-more\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-435999","post","type-post","status-publish","format-standard","hentry","category-essay-paper-writing"],"_links":{"self":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts\/435999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/comments?post=435999"}],"version-history":[{"count":0,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts\/435999\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/media?parent=435999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/categories?post=435999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/tags?post=435999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}