{"id":430208,"date":"2018-06-14T21:33:20","date_gmt":"2018-06-14T21:33:20","guid":{"rendered":"https:\/\/essaypaper.org\/?p=25157"},"modified":"2018-10-24T08:59:30","modified_gmt":"2018-10-24T08:59:30","slug":"music-evolution-of-jazz","status":"publish","type":"post","link":"https:\/\/www.benedictsol.com\/blogs\/music-evolution-of-jazz\/","title":{"rendered":"MUSIC Evolution of Jazz"},"content":{"rendered":"<p>You need to listen to this number and answer the following question:<\/p>\n<p>&nbsp;<\/p>\n<p><strong>\u00a0Davis, \u201cFlamenco Sketches\u201d (Miles Davis), New York, April 22, 1959.\u00a0 Miles Davis, trumpet; Cannonball Adderley, alto saxophone; John Coltrane, tenor saxophone; Bill Evans, piano; Paul Chambers, bass; Jimmy Cobb, drums<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>There is an introduction, how many bars is it?\u00a0 The melody, or \u201chead,\u201d begins at 00:18 and ends at 02:01.\u00a0 What is the form?\u00a0 Use letters to designate the form.\u00a0 \u201cFlamenco Sketches\u201d is a famous example is of modal jazz.\u00a0 This piece is based on five different modes that occur in five sections.\u00a0 How many bars are each of these sections?\u00a0\u00a0 Note:\u00a0 the third section between 01:10-01:43 is twice as long as the other sections.\u00a0 Describe what bassist Chambers is playing at this section at 01:10.\u00a0 Davis begins to play at 00:18.\u00a0 Is there a discernible melody?\u00a0 Does what he is playing sound written or improvised?\u00a0 Coltrane begins his solo at 02:02.\u00a0 How many choruses does he play?\u00a0 How many choruses do Adderley and Evans play?\u00a0 Listen closely to the beginning of each solo.\u00a0 Describe how each soloist begins his solo with his own short statement.\u00a0 How does this piece end?\u00a0 Listen from 08:37 to the end of the piece.\u00a0 How does Davis draw the piece to an end?\u00a0 What are the general characteristics of this piece that are different from the bebop and other hard bop groups we have heard?<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You need to listen to this number and answer the following question: &nbsp; \u00a0Davis, \u201cFlamenco Sketches\u201d (Miles Davis), New York, April 22, 1959.\u00a0 Miles Davis, trumpet; Cannonball Adderley, alto saxophone; John Coltrane, tenor saxophone; Bill Evans, piano; Paul Chambers, bass; <a href=\"https:\/\/www.benedictsol.com\/blogs\/music-evolution-of-jazz\/\" class=\"read-more\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-430208","post","type-post","status-publish","format-standard","hentry","category-essay-paper-writing"],"_links":{"self":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts\/430208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/comments?post=430208"}],"version-history":[{"count":0,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts\/430208\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/media?parent=430208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/categories?post=430208"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/tags?post=430208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}