{"id":426843,"date":"2018-09-24T18:42:51","date_gmt":"2018-09-24T18:42:51","guid":{"rendered":"https:\/\/acemystudy.com\/?p=4090"},"modified":"2018-10-24T08:42:57","modified_gmt":"2018-10-24T08:42:57","slug":"script-analysis-this-assignment-is-an-initial-response-document-on-monster-in-the-hall-script","status":"publish","type":"post","link":"https:\/\/www.benedictsol.com\/blogs\/script-analysis-this-assignment-is-an-initial-response-document-on-monster-in-the-hall-script\/","title":{"rendered":"Script Analysis: This assignment is an initial response document on &#8220;Monster In The Hall&#8221; script."},"content":{"rendered":"<p>Script Analysis: This assignment is an initial response document on &#8220;Monster In The Hall&#8221; script.<\/p>\n<p>This assignment is an initial response document on &#8220;Monster In The Hall&#8221; script. You&#8217;ll find all the detailed information on what the assignment requires attached to the order.<\/p>\n<p>First start by reading the instruction provided multiple times to insure that you don&#8217;t miss anything when writing. You&#8217;ll also find attached a sample script analysis and format. Read &#8220;Monster In The Hall&#8221; document and follow up with the sections needed in the assignment.<\/p>\n<p>If you have any questions or concerns feel free to ask.<\/p>\n<p>Your task is to create an initial response document around The Monster in the Hall. An Initial<br \/>\nResponse is a document used by directors and dramaturgs when doing their script analysis work<br \/>\nprior to the start of rehearsals.<br \/>\nI have provided a PDF of The Monster in the Hall for you on Canvas under the Week 5 module.<br \/>\nFirst, it\u2019s a good idea print out the script and make notes directly on it. I have generally found that<br \/>\npeople dig deeper when they can mark up the script in analog rather than taking notes on a digital<br \/>\ncopy.<br \/>\nDivide your paper into the following six sections, and use bullet points for structure:<br \/>\nPositives (+) \u2013 Things, ideas, or moments in the play which you find to be amazing, exciting,<br \/>\nelectrifying, thrilling. The things you think would look great onstage, that really pop for you,<br \/>\nreally stand out, really get you thinking.<br \/>\nChallenges (-) &#8211; The things you feel would be difficult to adequately stage. Things that are<br \/>\ngratuitous, over the top, illogical, or flawed.<br \/>\nNOTE: This is NOT a spot to dump negative OPINIONS about the play. This is<br \/>\nnot the spot to tell us you don\u2019t LIKE the play. This is a spot to list things in the<br \/>\nplay that might be CHALLENGING to produce or things that are difficult to<br \/>\nunderstand, not difficult to like.<br \/>\nFOR BOTH POSITIVES AND CHALLENGES: You must list at least 2, no more than<br \/>\n3, items for each, with each item getting a good-sized paragraph. (5 \u2013 7 good sentences per<br \/>\nparagraph.) Thus, if you wrote about two positives and two challenges, you\u2019d have 4<br \/>\nparagraphs total between these two sections, each paragraph having between 5 and 7 good<br \/>\nsentences.<br \/>\nCracks\/Threads (*) &#8211; Your way into the play. How do you, personally, as someone who has seen<br \/>\nsome plays and has been writing a lot about them, get into this play? Perhaps something in it<br \/>\nreminds you of something in your life. Perhaps there\u2019s a relationship dynamic in the play that<br \/>\nreminds you of people you know. Maybe the setting of the play speaks to you because you\u2019ve<br \/>\nbeen there, or it reminds you of places you\u2019ve been. This is a spot to pour YOURSELF into<br \/>\nthe paper: why is this play relevant to you? Limit yourself to 2 paragraphs for this section.<br \/>\nConcretes (^) &#8211; Physical items called for in the script\u2014set pieces, props, and costumes, mostly.<br \/>\nTrack each concrete object, item, or set piece called for directly in the script.<br \/>\nAudio\/Visual moments (A\/V) &#8211; Sound, light, and physical moments that really stand out as<br \/>\nimportant.<br \/>\n2<br \/>\nFOR BOTH CONCRETES AND A\/V MOMENTS: Track as many as you can in your<br \/>\nreading, and then pick the MOST IMPORTANT 4 or 5 with 1 \u2013 2 sentences explaining the<br \/>\nimportance of each. I cannot stress enough: the point of these two sections is<br \/>\nCURATION\u2014gather a lot of data, and then evaluate and weigh it, including only that<br \/>\nwhich is essential to an understanding of the play.<br \/>\nSynthesis &#8211; Write this section after completing the rest of the document Your goal here is to<br \/>\nSYNTHESIZE all of the items listed in your document into a cohesive statement about your<br \/>\nunderstanding of the play. Tell me what the play is about, using the reactions, threads,<br \/>\nconcretes, and A\/V moments you discovered and ranked as most important. This is NOT about<br \/>\nyour reaction to or enjoyment of the play. This you talking about what this play is about, how<br \/>\nit works, what makes it worthy of producing. It should be 2 \u2013 3 paragraphs long.<br \/>\nTOTAL DOCUMENT LENGTH:<br \/>\nThe entire document should end up being between 5 and 8 pages\u2014no more than 10 at the most.<br \/>\nBe as concise and direct in your writing as possible. Remember the point of a document like<br \/>\nthis: it\u2019s a reference tool for directors and their teams at the start of a rehearsal process. If it\u2019s<br \/>\noverly wordy, then a director has to stop and search for information when time might be limited.<br \/>\nGENERAL NOTE:<br \/>\nPrior to the due date, if you have a draft ready that you\u2019d like me to look at, email it to me. If<br \/>\nyou have questions or concerns about your process in getting started on this project, email<br \/>\nthose to me, too\u2014I\u2019ll be happy to help!<br \/>\nIn addition to posting this assignment sheet, I\u2019ve also posted a sample Initial Response so you<br \/>\nhave an idea of what the document looks like.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Script Analysis: This assignment is an initial response document on &#8220;Monster In The Hall&#8221; script. This assignment is an initial response document on &#8220;Monster In The Hall&#8221; script. You&#8217;ll find all the detailed information on what the assignment requires attached <a href=\"https:\/\/www.benedictsol.com\/blogs\/script-analysis-this-assignment-is-an-initial-response-document-on-monster-in-the-hall-script\/\" class=\"read-more\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-426843","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts\/426843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/comments?post=426843"}],"version-history":[{"count":0,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/posts\/426843\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/media?parent=426843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/categories?post=426843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.benedictsol.com\/blogs\/wp-json\/wp\/v2\/tags?post=426843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}